まず、ここ(LP&Deluxe Version)に収められた16曲が無事正式に世に出たことに心から感謝したいと思います。
PCの普及とYouTubeの浸透によりStevieの原曲(デモ)が出回ったことで、過去に何度かお蔵入りになってしまったこれらの楽曲達が今回めでたくも再び息を吹きかえすことになった訳なのですから・・・
16曲の内、4・9・11・12を除く14曲が 「Bella Donnna」の収録候補だったり、実際に当時レコーディングされた曲もあったでしょうが、最終的にOuttakeとなってしまったこと。
(2は「Mirage」でも没に。15は「Rumours」「Walter Egan」デビュー作「Tusk」と4回も録ったが没に。)
Waddy Wachtel - Guitar , Michael Campbell - Guitar , Davey Johnstone - Guitar ,
Dan Dugmore - Banjo , Benmont Tench - Keyboards ら「Bella Donnna」で参加していた豪華メンバーの大半が33年後の今作でも再び参加していること。
(Roy Bittan(Key)の不参加はかなり残念ではあるが。)
以上2点とアレンジや楽曲の雰囲気、StevieのVocalの若々しさ、などから正に「Bella Donnna」第2章と言うに相応しい作品だと思います。
ただ所謂シングル向け曲がなく、シングルB面曲集「Enchanted」Disc4のような感じなのですが、もちろん統一感がありますし、聴けば聴くほど心地良くなります。
欲を言えば、あの曲もこの曲も入れて欲しかったと思う曲はまだまだあるのですが、それらは来年発売されるはずのFleetwood MacのNew Albumまでおあずけなのでしょうね・・・(笑)。
10 前作の1stシングル「Secret Love」と同時に録られたデモに忠実なアレンジが嬉しい。どうしてBonusTrackなのか?完成度はかなり高いです。「Tusk」に入っていてもおかしくない出来栄え。
12 Vanessa Carlton 4th Albumからの今作唯一のカバー曲。当然彼女とデュエットしてます。フィドルが気持ちいい!
13 長い付き合いのバックシンガーSharon Celani と詞を共作、そして昨年、彼らのシングル「Golden」で共演したLady Antebellum の2人がコーラスで参加。
14 ブルースの小品、ディキシーランド・ジャズ・アレンジになっていて楽しさいっぱい!Buckingham Nicks時代の作品。
16 おそらく一番古い(1969年)作品。作曲がMark Knopflerで、そんな大昔に1つ年下だった20歳の彼と交流があったとは驚き!可愛らしい曲です。
Best Trackはデモも出回ってなく、私は今まで未聴だった9と11。
9は今回1番ロックしていて、作曲もしているMichael Campbellのギターが超カッコイイ!Stevieの歌唱も若々しい!
11は情感豊かなバラードで心をとても癒してくれます・・・
Deluxe Versionがおすすめです。
(通常版CDとは曲数だけでなく、曲順も全然違うのでレビューの曲番号なども注意してください。)
さあ皆様、Stevie ワールドをぜひ心ゆくまでお楽しみください
24カラット・ゴールド~ソングズ・フロム・ザ・ヴォールト
仕様 | 価格 | 新品 | 中古品 |
CD, 2014/11/20
"もう一度試してください。" | [CD, 2014/11/20] |
—
| ¥3,186 | — |
CD, 2014/12/21
"もう一度試してください。" | [CD, 2014/12/21] |
—
| ¥3,571 | — |
CD, CD, リミックス含む, 2014/10/7
"もう一度試してください。" | CD, インポート |
—
| — | ¥1,255 |
CD, 2014/11/5
"もう一度試してください。" | 1枚組 |
—
| — | ¥1,760 |
CD, インポート, 2014/10/3
"もう一度試してください。" | インポート |
—
| — | — |
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ページ 1 以下のうち 1 最初から観るページ 1 以下のうち 1
曲目リスト
1 | スターシャイン |
2 | ザ・ディーラー |
3 | メイベル・ノーマンド |
4 | ブルー・ウォーター フィーチャリング・レディ・アンテベラム |
5 | キャットハウス・ブルース |
6 | 24カラット・ゴールド |
7 | ハード・アドヴァイス |
8 | レディ |
9 | アイ・ドント・ケア |
10 | オール・ザ・ビューティフル・ワールズ |
11 | ベル・フルール |
12 | イフ・ユー・ワー・マイ・ラヴ |
13 | カルーセル |
14 | シー・ラヴズ・ヒム・スティル |
商品の説明
メディア掲載レビューほか
フリートウッド・マックの黄金期を支えたロックの歌姫、スティーヴィー・ニックスの約3年振り(2014年時)となるアルバム。1969年から1995年の間に書き溜めた楽曲を掘り起こし、新たにレコーディング。プロデュースは、デイヴ・ステュアートとワディ・ワッチェル、そしてスティーヴィー・ニックス本人が担当。まばゆい光を放ち続ける彼女の魅力を凝縮した作品。 (C)RS
登録情報
- 製品サイズ : 12.4 x 14.3 x 1.4 cm; 110 g
- メーカー : ワーナーミュージック・ジャパン
- EAN : 4943674198849
- 時間 : 1 時間 4 分
- レーベル : ワーナーミュージック・ジャパン
- ASIN : B00N4478K4
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 328,754位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 24,139位ポップス (ミュージック)
- - 68,532位ロック (ミュージック)
- カスタマーレビュー:
-
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2014年10月11日に日本でレビュー済み
Amazonで購入
2014年10月11日に日本でレビュー済み
Amazonで購入
既に四半世紀前にキャットハウス・ブルースというタイトルでブートレグCDが出ていて、内容は当時のバッキンガム・ニックステイストで特にこのタイトル曲は印象に残っていました。(きっと今でもお持ちの方もいらっしゃるでしょうね^^)
今回の新作は他の方が書かれている様なB面ベストの様な印象ですし、確かに楽曲展開のインパクトは一聴しただけでは
やや薄く感じるかもしれませんが、年代を経た録音クオリティーやアレンジで何度も楽しめる作品だと評価しています。
他にもまだまだある様々な多数の日の目を見ていない音源のリリースを心から待っています。
今回の新作は他の方が書かれている様なB面ベストの様な印象ですし、確かに楽曲展開のインパクトは一聴しただけでは
やや薄く感じるかもしれませんが、年代を経た録音クオリティーやアレンジで何度も楽しめる作品だと評価しています。
他にもまだまだある様々な多数の日の目を見ていない音源のリリースを心から待っています。
2014年10月11日に日本でレビュー済み
Amazonで購入
スティーヴィーニックスの Bサイドベストとも言えるまさにfrom the vaultな アルバムである。
1969〜1987の間に書かれた曲たちだそうで、スティーヴィーの声も若い!
ただアルバムとしてのトータル性は全くなく、ごった煮状態である。
しかし1曲1曲のクオリティは高く、名曲も多い。では今回は自分なりの曲解説を(通常盤です)。
#1は最初を飾るにふさわしい快活なロックナンバー。最近では・・・無いな。
#2はマックの曲といってもいいくらいマックらしい曲。真、「Gypcy」に似ている。
秋らしい曲、かな。
#3はどこかで聴いたことがある?曲。もしかしたら1度リリースされてるかも。
#4もマックっぽい。だんだん盛り上がる感じ、いい。この曲1番好きかも。
#5はブルースというタイトルだけあって、ジャジーなムード満点。
この曲は後期マックのアルバムには入らないだろう。
#6、これは逆にマックっぽい。とりたてていうならスティービー版「Little Lies」であろうか。
#9、これはかっこいいロックという感じ。作者にマイク・キャンベルの名がある。
最後#14、スティービーのどのソロアルバムに入ってもおかしくない名バラード。
作曲はマークノップラー。好きな相手を諦められない女性の哀しい気持ちが懇切に歌われた
ナンバー、これもいい。
以上ですが、歌詞カードにはスティーヴィーの若かりし頃の写真がいっぱいあり、それを懐かしむのも
良し!
スティーヴィーのファンなら必聴!のアルバムだと思いますよ。
1969〜1987の間に書かれた曲たちだそうで、スティーヴィーの声も若い!
ただアルバムとしてのトータル性は全くなく、ごった煮状態である。
しかし1曲1曲のクオリティは高く、名曲も多い。では今回は自分なりの曲解説を(通常盤です)。
#1は最初を飾るにふさわしい快活なロックナンバー。最近では・・・無いな。
#2はマックの曲といってもいいくらいマックらしい曲。真、「Gypcy」に似ている。
秋らしい曲、かな。
#3はどこかで聴いたことがある?曲。もしかしたら1度リリースされてるかも。
#4もマックっぽい。だんだん盛り上がる感じ、いい。この曲1番好きかも。
#5はブルースというタイトルだけあって、ジャジーなムード満点。
この曲は後期マックのアルバムには入らないだろう。
#6、これは逆にマックっぽい。とりたてていうならスティービー版「Little Lies」であろうか。
#9、これはかっこいいロックという感じ。作者にマイク・キャンベルの名がある。
最後#14、スティービーのどのソロアルバムに入ってもおかしくない名バラード。
作曲はマークノップラー。好きな相手を諦められない女性の哀しい気持ちが懇切に歌われた
ナンバー、これもいい。
以上ですが、歌詞カードにはスティーヴィーの若かりし頃の写真がいっぱいあり、それを懐かしむのも
良し!
スティーヴィーのファンなら必聴!のアルバムだと思いますよ。
2014年10月6日に日本でレビュー済み
3年ぶりの通算8作目は前作「In Your Dreams」と同じくDave Stewartがプロデュース。
1969年から1995年の間にソロないしMacのために書き留めておいた
曲を再構築したと聞いて当方のハードルも自ずと上がってしまった。(笑)
下記のような実力者たちが脇を固め、サウンドは古き良き時代の
Macを彷彿させて非常にイイ!
Dave Stewart (Guitar, Producer)
Waddy Wachtel (Guitar, Vocals)
Mike Campbell (Guitar)
Davey Johnstone (Guitar)
Tom Bukovac (Guitar)
Michael Rhodes (Bass)
Chad Cromwell (Drums)
Benmont Tench (Keyboard)
が、肝心の楽曲が小粒で物足りない。
タイトルチューンとM15は白眉だが、それ以外にグッと迫ってくる曲がない。
サウンドや雰囲気はいいだけに「聴き込めばもっと良くなってくるハズ…」と自分を
責めてみるものの、所詮一度はボツにした曲という結論に到達してしまう。
それでもボーカルは全くと言ってもいいほど衰えておらずパフォーマンス
自体は素晴らしい。
ハードルさえ上げていなければ☆4つは堅かったと思う。
Nicksへの期待値が高すぎた結果の評価とご理解頂きたい。
1969年から1995年の間にソロないしMacのために書き留めておいた
曲を再構築したと聞いて当方のハードルも自ずと上がってしまった。(笑)
下記のような実力者たちが脇を固め、サウンドは古き良き時代の
Macを彷彿させて非常にイイ!
Dave Stewart (Guitar, Producer)
Waddy Wachtel (Guitar, Vocals)
Mike Campbell (Guitar)
Davey Johnstone (Guitar)
Tom Bukovac (Guitar)
Michael Rhodes (Bass)
Chad Cromwell (Drums)
Benmont Tench (Keyboard)
が、肝心の楽曲が小粒で物足りない。
タイトルチューンとM15は白眉だが、それ以外にグッと迫ってくる曲がない。
サウンドや雰囲気はいいだけに「聴き込めばもっと良くなってくるハズ…」と自分を
責めてみるものの、所詮一度はボツにした曲という結論に到達してしまう。
それでもボーカルは全くと言ってもいいほど衰えておらずパフォーマンス
自体は素晴らしい。
ハードルさえ上げていなければ☆4つは堅かったと思う。
Nicksへの期待値が高すぎた結果の評価とご理解頂きたい。
2014年12月28日に日本でレビュー済み
Amazonで購入
スティービー!
とてもすばらしい。
らしくない曲もありますが、とても良い!です。
とてもすばらしい。
らしくない曲もありますが、とても良い!です。
他の国からのトップレビュー

Roger B
5つ星のうち5.0
Past to Present
2014年11月6日にカナダでレビュー済みAmazonで購入
This is a must for any Stevie Nicks fan who wants to acquire more songs from Stevie's earlier days as a songwriter. Only one of the songs has appeared on previous CDs so these are new songs from the past brought up to date by the collaboration with Waddy Wachtel and Dave Stewart, the former a mainstay of her earlier solo albums and the latter an inspiration in her last album. Although many of the songs are reminiscent of past hits, the two co-producers breathe new life into them and make them relevant.

Cliente Amazon
5つ星のうち5.0
24 KARATS GOLD
2016年5月30日にイタリアでレビュー済みAmazonで購入
E' DA SEMPRE LA MIA MUSA MUSICALE!!!, VOCE E MUSICA UNICA, INNARRIVABILE, NON DELUDE MAI!!!, ANCHE QUI' ALCUNE VERE GEMME!!! GRAZIE DIVINA STEVIE!!!

Allen Chapman
5つ星のうち5.0
The Long Lost Stevie Album That Never Was
2014年10月5日にアメリカ合衆国でレビュー済みAmazonで購入
"24 Karat Gold ~ Songs From the Vault" is a newly recorded album by Stevie Nicks, however if you didn't know better you would easily think this was a long lost album from Stevie. Going back to 2010 when Stevie was working on her "In Your Dreams" album she discovered one her lost demos, "Secret Love", on YouTube. She reworked that track for that album. Jump ahead a few years and she discovered lots more of her lost demos on YouTube and with a few weeks this past spring, she and producer Dave Stewart headed down to Nashville to rework these tracks.
As a long time fan, I've had these demos in my collection for years, when I heard what her plan was, I was skeptical. This isn't the first time she's reworked old demos, but the results haven't always been great. Listen to her original demo for "Smile At You", then check out the watered down released version on Fleetwood Mac's "Say You Will". Would she be able to recapture the magic in these original demos, or would the suffer the same fate of "Smile At You" where too much time has passed and the inspiration behind the song is long forgotten. Another concern was her voice, it's aged a lot since the recording of the demos. The answer is not only do these songs come to life, but in nearly every case, outshine the demos.
Among the highlights, the album kicks off with "Starshine", this is a fun rocker that is a great album opener and would also be a killer opening song on stage. If you're familiar with the demo, you'll hear how she really recaptured the feel of 1980 and the recording of the "Bella Donna" album right down to the organ solo.
"Mabel Normand" is one of her more rare demos, the song tells the tale of the long forgotten actress but here Stevie compares her own life to that of Mabel. The song dates back to the "Rock A Little" era and like "Thousand Days" or "Mirror Mirror" it has an almost rambling feel to the lyric, that's not a bad thing.
The album's title "24 Karat Gold" was a demo that I could never quite get into, the version here though shines. From the opening lone bass riff, which rolls into a drum beat, the song just comes to life.
One of my favorites from the album, "Belle Fleur" is another of the demos that I never got into, but once again, Stevie has transformed the song into a gem. The first minute of the song here is just a chugging drum beat that hooks you just before the song has it's proper start. I also like the banjo heard throughout the song.
"All The Beautiful Worlds" is a great song period. It's got a haunting tone that has a very definite late 70's/early 80's feel to it. Again here Stevie's vocals sound as strong and vibrant as they did in the 80's. With Sharon and Lori providing their background vocals, the song is classic Stevie.
"Lady" was known for years among fans as "Knocking On Doors". Stevie wrote this back in the late 60's when she and Lindsey were trying to get noticed. Her voice has aged to perfection here. Just Stevie and a piano, that's all this song needs.
With "I Don't Care" Stevie rocks out. The music track was written by Tom Petty guitarist Mike Campbell and Waddy Wachtel. It's got a swampy bluesy feel, a very different sound for Stevie. Stevie has said the end of the song lyrically was made up on the spot, honestly the whole song lyrically sounds improvised, but it works.
"Watch Chain" written about Mick Fleetwood in the late 70's has retained much of the feel of the original demo. I've always liked this one and yet again, Stevie's vocals have somehow transported back to the 70's.
"Hard Advice" is the sister song to 2001's "That Made Me Stronger", two songs written about the same conversation. In this case a conversation Stevie had with Tom Petty. This is a beautiful track.
"Carousel" is a Vanessa Carlton song that Stevie did not write, however it's included here because it was one of Stevie's late mother's favorites.
"Blue Water" is something of holy grail song among fans, written by Stevie with Sharon Celani back in the late 70's. I never cared for the demo, but once again the song has come alive here. She's helped out on this one with Lady Antebellum.
"Cathouse Blues" was always something of a oddball among Stevie's demos. As with "I Don't Care" Stevie musically is trading new ground here, the song is given a jazzy treatment along with dixieland horns. Yes, it works.
"The Dealer" has long been one of my favorites, one can assume it was one of Stevie's favorites as well, as she has recorded several demos of this. This version is slowed down a bit from the 1970's demo, and some of the excitement from the original demo is missing. However if you've never heard the demo, then there is much to like here.
Closing out the album is "She Loves Him Still", another track she's attempted a few times. Some don't like the woodwind on this, I think it fits the song. Years have passed since she wrote this and she has moved on from whatever inspired her, but yet she sings it as if it was inspired just yesterday.
Stevie said recently that she couldn't write these songs today. She's right, she's moved on and grown since these songs were written, in some ways these are really very simple songs. In every way though these are classic Stevie songs. This is very much the most pure Stevie album we've ever gotten. Many of these songs probably wouldn't have been hits during the time they were written and that's probably why they were left behind. Looking back on these songs now, the heartbreak that inspired them has healed and now the songs are allowed to shine.
In some ways this doesn't feel like a new album at all, it seems almost like a greatest hits album. At the same time it IS a new album filled with classic Stevie moments.
As a long time fan, I've had these demos in my collection for years, when I heard what her plan was, I was skeptical. This isn't the first time she's reworked old demos, but the results haven't always been great. Listen to her original demo for "Smile At You", then check out the watered down released version on Fleetwood Mac's "Say You Will". Would she be able to recapture the magic in these original demos, or would the suffer the same fate of "Smile At You" where too much time has passed and the inspiration behind the song is long forgotten. Another concern was her voice, it's aged a lot since the recording of the demos. The answer is not only do these songs come to life, but in nearly every case, outshine the demos.
Among the highlights, the album kicks off with "Starshine", this is a fun rocker that is a great album opener and would also be a killer opening song on stage. If you're familiar with the demo, you'll hear how she really recaptured the feel of 1980 and the recording of the "Bella Donna" album right down to the organ solo.
"Mabel Normand" is one of her more rare demos, the song tells the tale of the long forgotten actress but here Stevie compares her own life to that of Mabel. The song dates back to the "Rock A Little" era and like "Thousand Days" or "Mirror Mirror" it has an almost rambling feel to the lyric, that's not a bad thing.
The album's title "24 Karat Gold" was a demo that I could never quite get into, the version here though shines. From the opening lone bass riff, which rolls into a drum beat, the song just comes to life.
One of my favorites from the album, "Belle Fleur" is another of the demos that I never got into, but once again, Stevie has transformed the song into a gem. The first minute of the song here is just a chugging drum beat that hooks you just before the song has it's proper start. I also like the banjo heard throughout the song.
"All The Beautiful Worlds" is a great song period. It's got a haunting tone that has a very definite late 70's/early 80's feel to it. Again here Stevie's vocals sound as strong and vibrant as they did in the 80's. With Sharon and Lori providing their background vocals, the song is classic Stevie.
"Lady" was known for years among fans as "Knocking On Doors". Stevie wrote this back in the late 60's when she and Lindsey were trying to get noticed. Her voice has aged to perfection here. Just Stevie and a piano, that's all this song needs.
With "I Don't Care" Stevie rocks out. The music track was written by Tom Petty guitarist Mike Campbell and Waddy Wachtel. It's got a swampy bluesy feel, a very different sound for Stevie. Stevie has said the end of the song lyrically was made up on the spot, honestly the whole song lyrically sounds improvised, but it works.
"Watch Chain" written about Mick Fleetwood in the late 70's has retained much of the feel of the original demo. I've always liked this one and yet again, Stevie's vocals have somehow transported back to the 70's.
"Hard Advice" is the sister song to 2001's "That Made Me Stronger", two songs written about the same conversation. In this case a conversation Stevie had with Tom Petty. This is a beautiful track.
"Carousel" is a Vanessa Carlton song that Stevie did not write, however it's included here because it was one of Stevie's late mother's favorites.
"Blue Water" is something of holy grail song among fans, written by Stevie with Sharon Celani back in the late 70's. I never cared for the demo, but once again the song has come alive here. She's helped out on this one with Lady Antebellum.
"Cathouse Blues" was always something of a oddball among Stevie's demos. As with "I Don't Care" Stevie musically is trading new ground here, the song is given a jazzy treatment along with dixieland horns. Yes, it works.
"The Dealer" has long been one of my favorites, one can assume it was one of Stevie's favorites as well, as she has recorded several demos of this. This version is slowed down a bit from the 1970's demo, and some of the excitement from the original demo is missing. However if you've never heard the demo, then there is much to like here.
Closing out the album is "She Loves Him Still", another track she's attempted a few times. Some don't like the woodwind on this, I think it fits the song. Years have passed since she wrote this and she has moved on from whatever inspired her, but yet she sings it as if it was inspired just yesterday.
Stevie said recently that she couldn't write these songs today. She's right, she's moved on and grown since these songs were written, in some ways these are really very simple songs. In every way though these are classic Stevie songs. This is very much the most pure Stevie album we've ever gotten. Many of these songs probably wouldn't have been hits during the time they were written and that's probably why they were left behind. Looking back on these songs now, the heartbreak that inspired them has healed and now the songs are allowed to shine.
In some ways this doesn't feel like a new album at all, it seems almost like a greatest hits album. At the same time it IS a new album filled with classic Stevie moments.

Mark Haynes
5つ星のうち5.0
One of her best.
2014年11月19日に英国でレビュー済みAmazonで購入
Something of a surprise this. Most of this album you would rank as 'country rock' in the vein of say Sheryl Crow but there are a few surprises here and there. Starting with the 'kick booty' rocker 'Starshine' which is sure to become a live favourite, other highlights include 'Mabel Normand' with great guitar from Waddy Watchel, a reworking of 'Twisted' (which was heard in more folksy form on the soundtrack to 'Twister'), the understated title track 24 Karat Gold and the wistful 'All the Beautiful Worlds' in which Stevie laments 'All the beautiful worlds I've seen so far have all fallen down'. Elsewhere Stevie goes into 'angry madam' mode for heavy rocker 'I don't care' spitting out the words '"Love is blind, but not this time!". But it's really the last six tracks where this album really hits home. Starting with another album highlight 'Hard Advice' (which is reputedly about Tom Petty) the song has Stevie at her impassioned best with a sublime last few bars to finish. After that yet another highlight is 'Carousel' which with its folksy world view recalls Joni Mitchell's 'The Circle Game' and deserves to be as well liked as that great song. On side 4 there's the soulful 'Blue Water' leading into another surprise 'Cathouse Blues' which sees Stevie singing playfully with a jazz/blues ensemble. The penultimate track is another highlight and probably the most instantly 'accessible' track on the album 'The Dealer'. A fine country rocker this which should be a big hit single if there was any justice in the world. Finishing the album is the folksy 'She Loves Him Still' with acoustic guitars and Irish tin whistles for accompaniment. The only 'bum' note on the album is 'Lady' which is basically an attempt at a light opera style aria in the vein of 'Beauty and The Beast' from 'The Wild Heart' album of 1983. Maybe 30 years ago she could have pulled this off but at the age of 66 with multiple drug issues in the past she just doesn't any longer have the vocal range for this type of song. Overall though it doesn't detract from a triumphant album which ranks alongside her best. My score: 90%.

ANGUS
5つ星のうち5.0
LE RETOUR DE STEVIE 24 KARAT EN OR
2014年10月10日にフランスでレビュー済みAmazonで購入
LE RETOUR D'UNE GRANDE VOIX DU ROCK
DEJA AVEC LE FLEETWOOD MAC C'ETAIT SUPER
SON DERNIER ALBUM EST TRES BON DE LA BONNE MUSIQUE
UNE GUITARE PRESENTE SUR LES MORCEAUX
LE DERNIER MORCEAU CREE AVEC MARK KNOPFLER (DIRE STRAITS)
+ LA VOIX DE STEVIE J'ADORE
JE VOUS LE CONSEILLE
BONNE ECOUTE
DEJA AVEC LE FLEETWOOD MAC C'ETAIT SUPER
SON DERNIER ALBUM EST TRES BON DE LA BONNE MUSIQUE
UNE GUITARE PRESENTE SUR LES MORCEAUX
LE DERNIER MORCEAU CREE AVEC MARK KNOPFLER (DIRE STRAITS)
+ LA VOIX DE STEVIE J'ADORE
JE VOUS LE CONSEILLE
BONNE ECOUTE